Beautiful Web Type

MFB Oldstyle

Regular

Italic

400

Bold

Italic

700

Characters

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Daniel Benjamin Miller’s MFB Oldstyle revives Century Oldstyle, which Morris Fuller Benton designed for American Type Founders and the foundry released in 1909. The design brings the inclined stress and bracketed serifs of old-style printing types to the Century family, whose earlier romans have a more vertical axis. Miller first released the digital revival in 2024 and expanded the family in 2026 with bold italic, polytonic Greek, and refinements to drawing and spacing. The fonts are also available for TeX and LaTeX.

The upright combines open counters and a generous x-height with moderate stroke contrast. Firm, bracketed serifs give the line a steady footing, and rounded terminals on letters such as c and r soften the texture. Regular and bold each have a drawn italic. All four styles include small capitals, lining and old-style figures in proportional and tabular widths, and superior and inferior numerals. A broad set of f-ligatures is joined by discretionary ct and st forms.

MFB Oldstyle suits books, essays, and scholarly editions. Its small capitals can distinguish abbreviations and running heads, and its old-style figures follow the rhythm of lowercase text. Tabular lining figures align numbers in columns, while polytonic Greek supports editions that set classical passages alongside commentary.

Words

Questography

difficult waffles

Havana Plywood

Château d’Yquem

Högertrafikomläggningen

hamburgevontpids

Headlines

Regular · 400

Brawny gods just flocked up to quiz and vex him

Regular Italic · 400

Brawny gods just flocked up to quiz and vex him

Regular Small Caps · 400

Brawny gods just flocked up to quiz and vex him

Bold · 700

Amazingly few discotheques provide jukeboxes

Bold Italic · 700

Amazingly few discotheques provide jukeboxes

Bold Small Caps · 700

Amazingly few discotheques provide jukeboxes

Paragraphs

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

Stylistic sets
Size128

Standard Ligatures

font-feature-settings: 'liga';

ffff
ffiffi
fflffl
fftfft

Discretionary Ligatures

font-feature-settings: 'dlig';

ctct
stst

Small Capitals

font-feature-settings: 'smcp';

OldstyleOldstyle
ChapterChapter

Figures

1234567890

Tabular Lining (default)

1234567890

Tabular Oldstyle: 'onum'

1234567890

Proportional Lining: 'pnum'

1/2 3/4

Fractions: 'frac'

H123

Superscripts: 'sups'

H123

Scientific Inferiors: 'sinf'

Greek Capitals Without Accents

font-feature-settings: 'ss01';

ἌΝΘΡΩΠΟΣἌΝΘΡΩΠΟΣ

Website hero

Reframe.

New life forold buildings.

We give empty shops, tired offices, and forgotten warehouses a reason to open their doors again.

01 / Peckham, London

Almond Yard

A tiled shopfront becomes a neighbourhood kitchen, with a shared table where the counter used to be and a courtyard open for Sunday lunch.

Almond Yard project data
Existing area128 m²
Added area24 m²
Structure kept86%
On site26 weeks

The bakery closed in 2019, leaving its tiled shopfront empty for three years. When a neighbourhood cooking group took on the lease, the display counter still ran across the full width of the shop. It was the first thing we took out.

Behind it, we kept the tiled walls and timber shelving. The counter’s timber was reworked into a long table, with room for a class to cook at one end while the other is laid for lunch.

We moved the ovens to the party wall and ran the new services behind the shelving. From the pavement, you can still see the full depth of the shop, right through to the doors at the back.

At the back, a covered passage leads to the courtyard. On Sundays, the doors fold back and food goes straight from the kitchen to the tables outside. The old bread racks now hold plates and glasses within reach of the door.

We laid the courtyard with bricks salvaged from the rear wall. A shallow ramp takes out the step between the kitchen and the yard, so people can move freely between the two and wheel a trolley of dishes outside.

“We set out twelve places for Sunday lunch. By noon we’re usually looking for more chairs.”

Nadia Lewis, kitchen coordinator

Software interfaces

Due May 24

Website redesign

Refresh the studio website for our summer launch, starting with the homepage and mobile navigation.

In progress2 of 4 tasks complete
Morgan Kim2 hours ago

First concepts are ready. I’d like feedback on whether the new navigation makes the work easier to find.

Website traffic

studio.example

Last 7 days
24,608Increase of 12.8%

Unique visitors · compared with the previous 7 days

May 18May 20May 22May 24

Jump to…

Find something in your workspace.

Project tasksWebsite redesign
Shared files3 project documents
Design reviewMay 24 · 10:30

Shared files

Website redesign / Resources

3 files
NameUpdated
Brand guidelinesPDF · 2.4 MB
Just now
Website explorationFIG · 18.6 MB
2 hours ago
Notes on a new directionDOC · 48 KB
Yesterday
MAY
24

Design review

10:30–11:15

Walk through the first website concepts with the team.

MK

Morgan Kim

Meeting organizer

Loading glyphs…

Selected glyph details
Glyph name
Not available
Unicode
Not encoded
HTML entity
Not available
CSS escape
Not available