Newsreader

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Semi Bold

Italic

600

Bold

Italic

700

Extra Bold

Italic

800

Characters

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

Newsreader was conceived to tackle an enduring challenge of digital typography: designing a serif typeface engineered from the ground up for continuous, immersive reading on screens. Commissioned by Google Fonts and crafted by the Parisian foundry Production Type—under the creative direction of Jean-Baptiste Levée, with design contributions from Hugues Gentile, Yoann Minet, and Quentin Schmerber—the face was released in 2020 under the SIL Open Font License. Rather than producing a facsimile of early hot-metal types, the designers interrogated the mid-twentieth-century editorial tradition, drawing conceptual lineage from the Linotype "Legibility Group" and British press stalwarts like Times New Roman and Plantin. Newsreader strips away the quaint historical quirks of those pulp-and-rotary precedents, delivering an adaptable reading engine purpose-built for the illumination and variable densities of contemporary displays.

Anatomically, the design is governed by sturdy bracketed serifs, hospitable counters, and an ample x-height that establishes a solid baseline cadence. The stroke modulation remains moderate and relaxed, deliberately avoiding the razor-thin hairlines of Didones to prevent the optical vibration and dropouts that plague rasterized text. Newsreader’s architectural strength lies in its fluid variable engine, which couples a continuous weight spectrum with an extensive Optical Size (opsz) axis spanning from caption grades to display scales. At small reading sizes, hairlines thicken, counters expand, and the overall spacing loosens to preserve clear word silhouettes at micro-resolutions; as the axis ascends toward display values, the stroke contrast sharpens, serifs taper, and proportions tighten into an authoritative editorial titling face. Its companion italic functions as a true cursive, rolling forward with a rhythmic ductus and single-storey lowercase constructions that provide clear vocal contrast in running text without disrupting the measure.

This optical elasticity firmly dictates its territory. Newsreader is fundamentally a literary and journalistic workhorse, naturally suited to continuous prose, long-form digital essays, e-readers, scholarly journals, and news platforms. It is ill-suited for dense dashboard chrome, compact button labels, or micro-navigation, where the unbracketed simplicity of a neo-grotesque is required. At large optical scales, however, its refined contrast allows it to double as a stately masthead and section-header face. Within the open catalog, Newsreader stands as one of the most thoroughly engineered libre reading romans available—a masterclass in translation that honors the discipline of the press room while prioritizing the physiological comfort of the reading eye.

Words

Questography

difficult waffles

Havana Plywood

Château d’Yquem

Högertrafikomläggningen

hamburgevontpids

Headlines

Extra Light · 200

Brawny gods just flocked up to quiz and vex him

Extra Light Italic · 200

Brawny gods just flocked up to quiz and vex him

Light · 300

Amazingly few discotheques provide jukeboxes

Light Italic · 300

Amazingly few discotheques provide jukeboxes

Regular · 400

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Regular Italic · 400

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Medium · 500

Grumpy wizards make a toxic brew for the jovial queen

Medium Italic · 500

Grumpy wizards make a toxic brew for the jovial queen

Semi Bold · 600

Jackie will budget for the most expensive zoology equipment

Semi Bold Italic · 600

Jackie will budget for the most expensive zoology equipment

Bold · 700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Bold Italic · 700

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Extra Bold · 800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Extra Bold Italic · 800

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Paragraphs

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

Size128
Weight400
Optical size18

Optical Size

font-variation-settings: 'opsz';

Optical

'opsz' 6

Optical

'opsz' 18

Optical

'opsz' 72

Standard Ligatures

font-feature-settings: 'liga';

ffff
fifi
flfl
ffiffi
fflffl

Figures

1234567890

Tabular Lining (default)

1234567890

Proportional Lining: 'pnum'

H123

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

NoNo
nono

Case Sensitive Forms

font-feature-settings: 'case';

(H)(H)
¿¡¿¡
«A»«A»

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