DM Sans

Thin

Italic

100

Extra Light

Italic

200

Light

Italic

300

Regular

Italic

400

Medium

Italic

500

Semi Bold

Italic

600

Bold

Italic

700

Extra Bold

Italic

800

Black

Italic

900

Extra Black

Italic

1000

Characters

Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=

DM Sans was commissioned for DeepMind under the creative direction of design consultancy MultiAdaptor, developed by the British studio Colophon Foundry, and released through Google Fonts in 2019. The project began with the Latin glyph set of Jonny Pinhorn’s Poppins for Indian Type Foundry, adjusting its geometric forms for smaller text and digital interfaces. Colophon relaxed the reliance on compass-drawn shapes to create a reading face suited to software controls and technical copy. A 2023 update expanded the variable weight range to 100–1000 and introduced a dedicated optical-size axis.

The face retains the circular bowls and even strokes associated with the geometric sans-serif tradition, balanced by optical adjustments for screen use. A pronounced x-height gives lowercase letters a clear presence within buttons, cards, and data tables. Curves and stroke junctions are adjusted to distribute weight more evenly, while the apertures of letters such as c and e remain relatively open. The optical-size axis changes outlines and spacing across the size range: smaller settings allow more room between forms, while larger settings produce a tighter texture. Its stylistic sets offer further choices in letter construction, punctuation, figures, and arrows without changing the family’s underlying character.

DM Sans works well in product design systems, application interfaces, dashboards, responsive navigation, and supporting text. Its low contrast and geometric rhythm give long passages a more regular texture than a traditional book serif, making line length and spacing particularly relevant to reading comfort. Within the DeepMind suite, it can handle functional information alongside the more expressive DM Serif families or the fixed-pitch DM Mono. The broad weight range and companion italics support a varied hierarchy while keeping the overall voice consistent.

Words

Questography

difficult waffles

Havana Plywood

Château d’Yquem

Högertrafikomläggningen

hamburgevontpids

Headlines

Thin · 100

Brawny gods just flocked up to quiz and vex him

Thin Italic · 100

Brawny gods just flocked up to quiz and vex him

Extra Light · 200

Amazingly few discotheques provide jukeboxes

Extra Light Italic · 200

Amazingly few discotheques provide jukeboxes

Light · 300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Light Italic · 300

Why shouldn’t a quixotic Kazakh vampire jog barefoot?

Regular · 400

Grumpy wizards make a toxic brew for the jovial queen

Regular Italic · 400

Grumpy wizards make a toxic brew for the jovial queen

Medium · 500

Jackie will budget for the most expensive zoology equipment

Medium Italic · 500

Jackie will budget for the most expensive zoology equipment

Semi Bold · 600

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Semi Bold Italic · 600

Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf

Bold · 700

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Bold Italic · 700

Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz

Extra Bold · 800

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

Extra Bold Italic · 800

Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich

Black · 900

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

Black Italic · 900

Gazeta publica hoje no jornal uma breve nota de faxina na quermesse

Extra Black · 1000

Înjurând pițigăiat, zoofobul comandă vexat whisky și tequila

Extra Black Italic · 1000

Înjurând pițigăiat, zoofobul comandă vexat whisky și tequila

Paragraphs

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

Stylistic sets
Size128
Weight400
Optical size9

Optical Size

font-variation-settings: 'opsz';

Optical

'opsz' 9

Optical

'opsz' 24

Optical

'opsz' 40

Standard Ligatures

font-feature-settings: 'liga';

fifi
flfl

Figures

1234567890

Proportional Lining (default)

1/2 3/4

Fractions: 'frac'

H123

Numerators: 'numr'

H123

Denominators: 'dnom'

H123

Superscripts: 'sups'

Ordinals

font-feature-settings: 'ordn';

3a3a
4o4o

Stylistic Sets

font-feature-settings: 'ss--';

‘¿?’‘¿?’

'ss01'

aa

'ss02'

gg

'ss03'

uu

'ss04'

yy

'ss05'

QQ

'ss06'

1346913469

'ss07'

↑→↓↑→↓

'ss08'

Case Sensitive Forms

font-feature-settings: 'case';

(H)(H)
¿¡¿¡

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