Roboto
Thin
Italic
100
Extra Light
Italic
200
Light
Italic
300
Regular
Italic
400
Medium
Italic
500
Semi Bold
Italic
600
Bold
Italic
700
Extra Bold
Italic
800
Black
Italic
900
Characters
Roboto 3 Classic brings Christian Robertson’s Android system typeface into a variable format while preserving its established design. The core family dates to Robertson’s 2011 release and his substantial 2014 revision for Material Design. Developed with Type Network, the variable project began with a conservative objective: match the metrics and appearance of the static v2.136 fonts. Unlike the broader parametric exploration of Roboto Flex, Classic concentrates on continuity, allowing existing layouts to retain their proportions while gaining continuous control over weight and width.
The face retains Robertson’s combination of mechanical structure and rounded forms. Flattened outer curves give letters a firm vertical posture, while relatively open apertures and varied character widths keep the rhythm from becoming strictly geometric. The Thin, Regular, and Bold masters were adjusted for compatible interpolation, supporting a continuous weight range from 100 to 900 and widths from Condensed to Normal, with companion italic styles. Screen rendering was also a central concern: Mike Duggan developed TrueType hinting in Microsoft VTT, and the project supplies variants with hinting and vertical metrics adapted for Windows, Android, ChromeOS, and web use.
Roboto’s principal territory remains interfaces: software menus, mobile navigation, dashboards, technical documentation, and responsive layouts that need a broad hierarchy within a consistent family. Its width range helps accommodate compact headings and constrained columns, while the familiar letterforms give everyday controls a relatively unobtrusive presence. In literary publishing, its low stroke contrast and regular texture offer a different reading character from a traditional book serif. For expressive identities or editorial titling, its widespread association with Android may be a limitation or a deliberate reference. Classic is most useful where continuity with the established Roboto design matters as much as the flexibility of a variable font.
Words
Questography
difficult waffles
Havana Plywood
Château d’Yquem
Högertrafikomläggningen
hamburgevontpids
Headlines
Thin · 100
Brawny gods just flocked up to quiz and vex him
Thin Italic · 100
Brawny gods just flocked up to quiz and vex him
Thin Small Caps · 100
Brawny gods just flocked up to quiz and vex him
Extra Light · 200
Amazingly few discotheques provide jukeboxes
Extra Light Italic · 200
Amazingly few discotheques provide jukeboxes
Extra Light Small Caps · 200
Amazingly few discotheques provide jukeboxes
Light · 300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Light Italic · 300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Light Small Caps · 300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Regular · 400
Grumpy wizards make a toxic brew for the jovial queen
Regular Italic · 400
Grumpy wizards make a toxic brew for the jovial queen
Regular Small Caps · 400
Grumpy wizards make a toxic brew for the jovial queen
Medium · 500
Jackie will budget for the most expensive zoology equipment
Medium Italic · 500
Jackie will budget for the most expensive zoology equipment
Medium Small Caps · 500
Jackie will budget for the most expensive zoology equipment
Semi Bold · 600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Semi Bold Italic · 600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Semi Bold Small Caps · 600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Bold · 700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Bold Italic · 700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Bold Small Caps · 700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Extra Bold · 800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Extra Bold Italic · 800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Extra Bold Small Caps · 800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Black · 900
Gazeta publica hoje no jornal uma breve nota de faxina na quermesse
Black Italic · 900
Gazeta publica hoje no jornal uma breve nota de faxina na quermesse
Black Small Caps · 900
Gazeta publica hoje no jornal uma breve nota de faxina na quermesse
Paragraphs
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
Width
font-variation-settings: 'wdth';
'wdth' 75
'wdth' 87.5
'wdth' 100
Standard Ligatures
font-feature-settings: 'liga';
Discretionary Ligatures
font-feature-settings: 'dlig';
Small Capitals
font-feature-settings: 'smcp', 'c2sc';
Figures
1234567890
Tabular Lining (default)
1234567890
Proportional Lining: 'pnum'
1234567890
Tabular Oldstyle: 'onum', 'tnum'
1234567890
Proportional Oldstyle: 'onum', 'pnum'
1/2 3/4
Fractions: 'frac'
H123
Numerators: 'numr'
H123
Denominators: 'dnom'
H123
Subscripts: 'subs'
H123
Superscripts: 'sups'
Stylistic Sets
font-feature-settings: 'ss--';
'ss01'
'ss02'
'ss03'
'ss04'
'ss05'
'ss06'
'ss07'
Loading glyphs…
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