IBM Plex Sans Condensed
Thin
Italic
100
Extra-Light
Italic
200
Light
Italic
300
Regular
Italic
400
Text
Italic
450
Medium
Italic
500
Semi-Bold
Italic
600
Bold
Italic
700
Characters
Where the standard proportional letter requires room to stretch its limbs along the measure, IBM Plex Sans Condensed steps forward to govern the severe, tight territories of the modern interface. Conceived under the creative direction of Mike Abbink alongside the Dutch foundry Bold Monday, this narrower sibling of the IBM Plex system was forged for high-density environments: data tables, complex technical documentation, software sidebars, and the unforgiving margins of mobile screens. Rather than treating condensation as an afterthought—the careless product of a software slider that distorts stroke weights and starves characters of air—the designers redrew the forms from the inside out, adapting the family’s signature dialogue between machine engineering and human gesture to an uncompromising economy of horizontal space.
Compacting a letterform without sacrificing its legibility demands rigorous optical surgery. In Plex Sans Condensed, the characteristic chamfered turns and engineered junctions are refined with surgical discipline, ensuring that interior counters remain open and hospitable to ambient light. Vertical stems maintain their architectural posture while horizontal curves flatten slightly into sturdy, rounded rectangles, allowing adjacent characters to nestle into an orderly, masonry-like cadence. The x-height remains generous, preventing the letters from pinching into illegible vertical slits at minute sizes. On the screen, it casts a taut, evenly disciplined grey—resolving the dense thickets of numbers and technical jargon into clear, rhythmic strings rather than an impenetrable thicket of black strokes.
Typographically, the condensed family refuses the cheap expedience so often forced upon compressed gothics. In place of a mechanically skewed oblique, Abbink and Bold Monday provide a true cursive italic, whose dynamic posture, distinct terminals, and fluid transitions offer genuine vocal contrast within the narrow column. Spanning eight meticulously calibrated weights—from the fragile scaffolding of Thin to the resolute punch of Bold—and equipped with tabular figures designed to align perfectly across financial ledgers, IBM Plex Sans Condensed brings civilizing order to spatial austerity. Within the open commons, it stands as proof that a typeface can hoard horizontal measure without surrendering its warmth, its clarity, or its dignity.
Words
Questography
difficult waffles
Havana Plywood
Château d’Yquem
Högertrafikomläggningen
hamburgevontpids
Headlines
Thin · 100
Brawny gods just flocked up to quiz and vex him
Thin Italic · 100
Brawny gods just flocked up to quiz and vex him
Extra-Light · 200
Amazingly few discotheques provide jukeboxes
Extra-Light Italic · 200
Amazingly few discotheques provide jukeboxes
Light · 300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Light Italic · 300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
Regular · 400
Grumpy wizards make a toxic brew for the jovial queen
Regular Italic · 400
Grumpy wizards make a toxic brew for the jovial queen
Text · 450
Jackie will budget for the most expensive zoology equipment
Text Italic · 450
Jackie will budget for the most expensive zoology equipment
Medium · 500
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Medium Italic · 500
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
Semi-Bold · 600
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Semi-Bold Italic · 600
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
Bold · 700
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Bold Italic · 700
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
Paragraphs
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
With matted beard, and swathed in a bristling shark-skin apron, about mid-day, Perth was standing between his forge and anvil, the latter placed upon an iron-wood log, with one hand holding a pike-head in the coals, and with the other at his forge’s lungs, when Captain Ahab came along, carrying in his hand a small rusty-looking leathern bag. While yet a little distance from the forge, moody Ahab paused; till at last, Perth, withdrawing his iron from the fire, began hammering it upon the anvil—the red mass sending off the sparks in thick hovering flights, some of which flew close to Ahab. “Are these thy Mother Carey’s chickens, Perth? they are always flying in thy wake; birds of good omen, too, but not to all;—look here, they burn; but thou—thou liv’st among them without a scorch.” “Because I am scorched all over, Captain Ahab,” answered Perth, resting for a moment on his hammer; “I am past scorching; not easily can’st thou scorch a scar.” “Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”
Standard Ligatures
font-feature-settings: 'liga';
Figures
1234567890
Tabular Lining (default)
1234567890
Tabular Oldstyle: 'onum'
1/2 3/4
Fractions: 'frac'
0
Slashed Zero: 'zero'
H123
Numerators: 'numr'
H123
Denominators: 'dnom'
H123
Subscripts: 'subs'
H123
Scientific Inferiors: 'sinf'
H123
Superscripts: 'sups'
Ordinals
font-feature-settings: 'ordn';
Stylistic Sets
font-feature-settings: 'ss--';
'ss01'
'ss02'
'ss03'
'ss04'
'ss05'
'ss06'
Loading glyphs…
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- Unicode
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- HTML code
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- CSS code
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