Source Serif Pro
by Frank Grießhammer
Extra Light
Italic
200
Light
Italic
300
Regular
Italic
400
Medium
Italic
500
Semi Bold
Italic
600
Bold
Italic
700
Extra Bold
Italic
800
Black
Italic
900
Description
Source Serif Pro was created as a companion to the Source Sans Pro typeface by Adobe. It exhibits a distinctive personality at each of its six weights, with a beautiful italic that remains useful from the lightest to the heaviest weights.
Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
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‘¿?’
“!”
- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=
Questography
Havana Plywood
Château d’Yquem
hamburgevontpids
Högertrafikomläggningen
difficult waffles
Brawny gods just flocked up to quiz and vex him
200
Amazingly few discotheques provide jukeboxes
300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
400
Grumpy wizards make a toxic brew for the jovial queen
500
Jackie will budget for the most expensive zoology equipment
600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
900
Brawny gods just flocked up to quiz and vex him
200
Amazingly few discotheques provide jukeboxes
300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
400
Grumpy wizards make a toxic brew for the jovial queen
500
Jackie will budget for the most expensive zoology equipment
600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
900
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
Brawny gods just flocked up to quiz and vex him
200
Amazingly few discotheques provide jukeboxes
300
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
400
Grumpy wizards make a toxic brew for the jovial queen
500
Jackie will budget for the most expensive zoology equipment
600
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
700
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
800
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
900
ff ff
ff ff
ffi ffi
ffi ffi
ffj ffj
ffj ffj
fi fi
fi fi
fj fj
fj fj
fl fl
fl fl
ffl ffl
ffl ffl
ft ft
ft ft
fft fft
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Proportional Oldstyle: 'pnum', 'onum'
1234567890
Tabular Oldstyle: 'tnum', 'onum'
1234567890
Proportional Lining (default): 'pnum', 'lnum'
1234567890
Tabular Lining: 'tnum', 'lnum'
1234567890
Small Caps: 'smcp'
0 0
Slashed Zero: 'zero'
1/2 3/4 5/6 7/8 90/123
Fractions: 'frac'
A1234567890
Subscripts: 'subs'
A1234567890
Superscripts: 'sups'
1st 1st
2nd 2nd
3a 3a
4o 4o
No No
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↗
→
→
↘
↘
↓
↓
↙
↙
←
←
↖
↖
▲
▲
▶
▶
▼
▼
◀
◀
¶
¶
§
§
†
†
‡
‡
Source Serif Pro compared with other typefaces
hamburgevontpids
Source Serif Pro
hamburgevontpids
hamburgevontpids
hamburgevontpids
hamburgevontpids
Recommended Pairings for Source Serif Pro
Out to
Lunch!Eric
Dolphy
Out to Lunch stands as Eric Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck’s Time Out, and its five Dolphy originals—the jarring Monk tribute “Hat and Beard,” the aptly titled “Something Sweet, Something Tender,” the weirdly jaunty flute showcase “Gazzelloni,” the militaristic title track, the drunken lurch of “Straight Up and Down”—were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. — AllMusic Review by Steve Huey