Libre Franklin
by Impallari Type
Thin
Italic
100
Extra-Light
Italic
200
Light
Italic
300
Regular
Italic
400
Medium
Italic
500
Semi-Bold
Italic
600
Bold
Italic
700
Extra-Bold
Italic
800
Black
Italic
900
Description
Libre Franklin is an interpretation and expansion of the classic Franklin Gothic typeface. It’s a versatile sans-serif, suitable for both long-form text and headlines. At large sizes, the distinctive rounded corners of the characters become apparent.
Aa
Bb
Cc
Dd
Ee
Ff
Gg
Hh
Ii
Jj
Kk
Ll
Mm
Nn
Oo
Pp
Qq
Rr
Ss
Tt
Uu
Vv
Ww
Xx
Yy
Zz
Åå
Ææ
Çç
Éé
Øø
Ññ
Üü
Žž
1234567890
‘¿?’
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- – —
(&)
[*]
{@}
€£¥$¢
:;,.
<>+÷×=
Questography
Havana Plywood
Château d’Yquem
hamburgevontpids
Högertrafikomläggningen
difficult waffles
Brawny gods just flocked up to quiz and vex him
100
Amazingly few discotheques provide jukeboxes
200
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
300
Grumpy wizards make a toxic brew for the jovial queen
400
Jackie will budget for the most expensive zoology equipment
500
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
600
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
700
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
800
Gazeta publica hoje no jornal uma breve nota de faxina na quermesse
900
Brawny gods just flocked up to quiz and vex him
100
Amazingly few discotheques provide jukeboxes
200
Why shouldn’t a quixotic Kazakh vampire jog barefoot?
300
Grumpy wizards make a toxic brew for the jovial queen
400
Jackie will budget for the most expensive zoology equipment
500
Monsieur Jack, vous dactylographiez bien mieux que votre ami Wolf
600
Jeg begynte å fortære en sandwich mens jeg kjørte taxi på vei til quiz
700
Victor jagt zwölf Boxkämpfer quer über den großen Sylter Deich
800
Gazeta publica hoje no jornal uma breve nota de faxina na quermesse
900
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
But how could we fail to see that there is an infinite regress here—if we do not accept, as Kantian and post-Kantian philosophies do, a “supersensible” domain of freedom, outside of the world and its physical determinisms? According to them, the free subject is an absolute origin, a first agent capable of creating first causes, who initiates new causal chains ex nihilo, independent of the rest of the world. —Henri Atlan, Is Science Inhuman?
A123
Superscripts: 'sups'
3a 3a
4o 4o
¶
¶
§
§
†
†
‡
‡
Libre Franklin compared with other typefaces
hamburgevontpids
Libre Franklin
hamburgevontpids
hamburgevontpids
hamburgevontpids
hamburgevontpids
Recommended Pairings for Libre Franklin
Picasso
Love, Fame, Tragedy
Tate Modern
8 March – 9 September 2018
Out to
Lunch!Eric
Dolphy
Out to Lunch stands as Eric Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck’s Time Out, and its five Dolphy originals—the jarring Monk tribute “Hat and Beard,” the aptly titled “Something Sweet, Something Tender,” the weirdly jaunty flute showcase “Gazzelloni,” the militaristic title track, the drunken lurch of “Straight Up and Down”—were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. — AllMusic Review by Steve Huey